The Vatican Museums Library, founded in 1475, houses journals and contemporary books that document the Vatican Museums' treasures. Prehistory through classical Greek, Roman, Egyptian, Assyrian-Babylonian, and Etruscan antiquities, texts on medieval and contemporary art, and more detailed material on the restoration and conservation of artworks are some of many subjects featured in the library. The Marquises Guglielmi of Vulci, Cardinal Jorge Mara Meja, Professors Bruno Mantura, and the Verbite Fathers Michael Schulien and Wilhelm Schmidt have all made charitable donations to the library over the years.
The Vatican Library boasts an incredible collection of manuscripts. Some of the manuscripts housed inside the library include Carte d'Abbadie, Boncompagni Ludovisi, Libri minuscoli, Papiri Vaticani copti, Raccolta Rospigliosi, Vaticani musicali, and over 100 others.
The Archival collection at the Vatican Library is equally impressive. The collection includes Archivio Barberini, Archivio Barberini Colonna di Sciarra, Autografi e Documenti Patetta, Computisteria Ottoboni, Pergamene Patetta, S. Maria in Cosmedin, and many more.
The Vatican Library houses over 1,600,000 printed books, the majority of which are old and rare, including over 8,600 incunabula; tens of thousands of sixteenth-century editions, and seventeenth-century editions, particularly in the Barberini and Chigi collections.
The Graphics collection at the Vatican Library is home to some breathtaking pieces of art including Fondo Stampe, Fondo Stampe Geografiche, Raccolta fotografica, Fondo Bianchi Barriviera, and more. The Ashby Collection and the Gismondi Collection are two autonomous closed collections of a specified size that are part of the Graphics collection.
Coins, medals, plaques, stamps, inscriptions, carved stones, sulphur and plaster castings, and other materials are stored in the Vatican Library's Numismatic Cabinet, or Medagliere. Roman coins from the Republican Period, coins from Italy's towns and dominions, medals from other countries dating from the Renaissance to the present day, and more are also preserved here.
100s of non-book artifacts are displayed as ornaments throughout the Vatican Library, among the several valuables housed there. These pieces – artworks, sculptures, furniture, and other items – have been cataloged as Library Art objects. The art objects are categorized and included in the general catalog as well as the catalog of Graphic materials and Art objects, along with photos.
The Vatican Library is also home to some special projects. These include IIIF Thematic Pathways, RICI - Books and Libraries of religious orders in Italy at the end of XVI cent, The Polonsky Project, Travel with Dante, and The Alamire project.
The Vatican Film Library in St. Louis, Missouri, is the only repository of microfilms from the Biblioteca Apostolica Vaticana, the Vatican Library. It can be found in the Pius XII Library on the Saint Louis University campus. Lowrie J. Daly designed the library, which was funded by the Knights of Columbus. The purpose was to increase the accessibility of the Vatican and other materials to North American academics.
In the early half of the thirteenth century, the Popes' first library and archive were scattered for reasons that are yet unknown. Following Boniface VIII's death, new collections gathered by the Popes of that century were relocated to Perugia, Assisi, and eventually to Avignon. The popes who returned to Rome after 1415 attempted to reclaim the lost library heritage at various times; what was left in Avignon at the start of the 17th century ended up in the Borghese family's collection, which Leo XIII purchased in 1891.
The beginning of the modern history of the Vatican Library can be traced back to the mid-14th century. Nicholas V was the one who decided that scholars should be able to read and study the Latin, Greek, and Hebrew texts. With the appointment of a librarian, Bartolomeo Platina, and the required financial assistance, Sixtus IV resumed, finalised, and carried out Nicholas V's mission. The new institution was housed on the ground floor of a structure that Nicholas V had already renovated. From a total of 2,527 manuscripts in 1475 to a total of 3,498 in 1481, the collection continued to grow.
The Library continued to grow in the 16th century, especially under Leo X, with methodical research and acquisitions of manuscripts and printed works. Throughout the 17th century, complete princely or private libraries started being incorporated into the collection. Many of these have been turned into unique, closed manuscript and printed book compilations, different from the open collections that began in the library itself. The 18th century saw the creation and gradual expansion of departments devoted to antiquarian and creative collections in the Vatican Library.
When Rome was annexed to the French Empire in 1809, the Vatican Library became a National Library, and the holdings of religious orders were added. The library was opened to a greater public of academics and historians under Leo XIII, and the modern Reading Room for Printed Books was established in 1892. When the arrival of automobiles made the old stables at the Cortile del Belvedere obsolete in 1927, Pope Pius XI decided to convert them into stacks for the Library's printed books. New stacks holding manuscripts were created beneath the Vatican Library's internal courtyard from 1982 to 1984, thanks to funding from the German Episcopal Conference.
The Vatican Library's manuscript holdings are preserved, studied, and made available by the Manuscript Department. The Manuscript Section is in charge of the literary collections, which ranges to about 80,000 volumes. The Archive Section, meanwhile, was established at the end of the 1970s, is in charge of the conservation and maintenance of the larger archival holdings.
More than a hundred collections constitute the Manuscript Section. These are extremely different, not least in terms of size, ranging from the Vaticani latini, which has 15,371 numbered objects, to collections made entirely of a single item. The Vatican Library is known as a library of libraries because of the variety of manuscript collections and their provenance. The library is notable not just for the Popes' ongoing efforts, but also for the addition of entire libraries that serve as reflections of other eras, worlds, and civilizations.
The Vatican Library did not construct a distinct section for collections that are more appropriately or even solely archival with the intention of segregating documentary material from manuscripts belonging to the same collections. Rather, it was bibliographical and operational considerations that prompted the library to establish the Archival Section near the end of the 1970s. Today, this section is the permanent home of the great archives that have come to the library at various periods and for varied purposes.
The goal of this department is to guarantee that the Manuscript Reading Rooms and Stacks run smoothly. Additionally, its personnel notify the Department's Director of Manuscript Restoration about manuscripts that need restoration, as well as oversee duplication approval requests. Their job also include greeting and assisting scholars, as well as pointing out the most important tools for research work. They aid in the submission of digital manuscript requests and provide digital access to manuscripts.
The Printed Books Department manages the Vatican Library's printed book compilations, as well as its catalogues of prints, illustrations, and non-book materials, and makes them available to scholars. The department handles new publication purchases and exchanges of published material with other establishments. It also selects books donated to the Vatican Library and accepts those donated specifically to the Holy Father. The department is also responsible for cataloging the books that are introduced to the collection and ensuring that they are safely preserved in the stacks.
Rare books, contemporary books, journals, digital resources, and other non-book resources are all handled by the Accessions Section. This section's primary responsibility is to handle the administration facets of integrating publications into the Vatican Library's holdings. The routine activities are mostly focused on acquisitions, but also deal with materials that come in via contributions or exchange programs.
Even though a unified catalogue for printed materials had been hoped for for a century, a systematic catalogue was finally organised in the 1920s. The contemporary general catalogue of the Vatican Library's printed books was established in 1928; previously, the various collections had their own catalogues, prepared in the scope of each collection and according to distinct criteria. The Vatican Library's cataloguing standards were initially published in 1931, and the third and final edition was issued in 1949.
The Sala Leonina, which contains around 56,000 volumes and has 104 chairs, and the Sala Leonina Minore, which houses about 15,000 volumes, are the principal reading rooms for printed works at the Vatican Library. The Periodical Reading Room, officially opening to the public in 2002, contains 32 seats and offers easy accessibility to 949 scientific journals. Another reading area, the Salone Sistino, opened in October 2017, with around 28,000 books and 24 seats.
The Rare Books Section serves three purposes: to offer researchers with original sources for research, to continue specialised categorization of old books created before 1800, and to expand the Vatican Library's collections of old and valuable books. The first tangible goal of this section is to enter the published catalogue of incunabula into the OPAC. It intends to compile a more detailed catalogue of the incunabula in the second phase, which will also be made accessible online.
The Vatican Library's Prints Cabinet is a significant artistic repository that houses engravings and unbound prints that are not bound into books or supported by written words. It also preserves a large number of drawings that have been part of the Vatican Library's collections over time and were included in the engravings collection based on the similarity of the required conservation practices. Many pictures, as well as chalcographic and xylographic plates, are included in this section.
Monday to Friday: 9 AM to 12:00 AM
Tuesday and Thursday: 2:30 PM to 3:30 PM
The Vatican Library is open to:
You will need to get a reader's pass to gain access to the Library. The pass will only allow you to consult the printed book collection. To apply for the pass you would need a valid ID proof, and a reference letter or a valid document proving appropriate academic qualifications. Students will have to present a Letter of Surety, printed on institutional letterhead and signed by their dissertation supervisor.